REGISTER
Social Justice & Systems
Members only
This course examines the life, artistry, and legacy of Tego Calderón, one of the most influential voices in reggaeton and a cultural icon of Afro-d...
Beginner
Members only
With no prior experience, you will have the opportunity to walk through hands-on examples with You'll feel empowered to have conversations about bi...
14 Lectures
Members only
Members only
This course offers an interdisciplinary introduction to reggaeton, one of the most influential cultural and musical movements of the late 20th and ...
8 Lectures
Members only
Social Justice & Systems
Members only
In Intro to Structural Racism, learners examine how systemic inequalities in society influence music, culture, and communities. Intro to Perreo foc...
15 Lectures
Members only
VIEW ALL COURSES

#Perreo101Tour

Throughout the entire time we had with La Gata during our class, all I could think was, “why isn’t she a professor at Harvard?” The passion, excitement, and respect for reggaeton and history radiated from Katelina and were incredibly contagious. She was much more engaging and ready to answer our questions than many professors at Harvard; I wish I could enroll in a course taught by La Gata (maybe in the near future? uno nunca sabe).

Jailene Ramos, Student

Katelina “Gata” Eccleston joined McMaster University’s course, LATAM 3A03 – Black Latin America: Belonging, Refusal, Resistance, in the Winter 2023 term, to give a lecture on the Black histories of Reggaeton and Reguetón. Katelina’s talk was as engaging as it was generatively informative, and the students were enthralled by her authentic, genuine personality and the skillful way through which she shared her ample expertise on these topics. Through her enlightening discussion framing the socio-historic contexts of the Black and Afro-Latinx music industry in Latin America and the Caribbean, her crucial centering of Black Latinx women creators, artists, and producers, to her relevant examinations of current cultural and political issues pervading these genres and spheres, Katelina’s lecture thoughtfully and artfully invited students enrolled in the course to further consider Blackness—as well as Black joy, life, and living—in the capacious ways in which it has developed artistically and creatively in Latin American locales. By bringing attention to and celebrating Black and Afro-Latinx artists, including remarking on ongoing ventures, initiatives, cultural productions, and their various roles within the thriving Latin American/Latinx/Caribbean music industry, Katelina brilliantly illustrated how Black peoples in these ethnocultural locations are and have always been engaged in socio-cultural and artistic projects that narrate and story the world while imagining collective futures. Our teaching-learning community was fascinated with everything Katelina shared and explained, as her extensive knowledge is radiantly complemented by an affability and amiability that captivate audiences. In short, Katelina Eccleston is an insightful, earnest, and accomplished presenter/speaker whose Perreo 101 Tour is an invaluable experience to engage with in academic, professional, and cultural spaces. It was our absolute pleasure—and honor—to have her presence in our classroom space this term. — Stacy Creech de Castro (Instructor, LATAM 3A03, McMaster University).

Stacy McCreech, Professor

I really appreciated this speech. It provided a lot of insight on a topic I am unfamiliar with and got me interested in reggaeton music and its impact on society.

N. Scholder, Student

Intro to Reggaeton

Intro to Reggaetón immerses learners in the genre’s Afro-diasporic roots, sonic innovation, and global rise, revealing how this powerful movement reshaped music, identity, and culture worldwide..

Intro to Structural Eacism

In Structural Racism, learners uncover how power, inequality, and resistance shape reggaetón’s sound, dance, and culture—from its Caribbean roots to its global impact on race, gender, and identity.

Femme Fatale: Intro to Gender & Sexuality (Reggaeton)

Femme Fatale examines how race, gender, sexuality, and power shape reggaetón’s past and present, revealing how artists like La Sista, Ivy Queen, Glory Glou and Villano Antillano turned the genre into a force of resistance, visibility, and cultural transformation.

INQUIRE HERE